After reinvigorating Thor as a viable character in the Marvel Cinematic Universe with Thor: Ragnarok, writer/director Taika Waititi returns with Thor: Love and Thunder and delivers lacking focus or a consistent tone.
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The bloodiest superhero movie to date also succeeds in relaunching The Suicide Squad as a viable brand for the DC Extended Universe.
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Taika Waititi’s provocative satire Jojo Rabbit details a 10-year-old Nazi boy, with Adolf Hitler as an imaginary friend, who learns of a secret being kept by his mother that could have dire effects for his family.
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Avengers: Endgame serves as a nearly perfect final chapter to the existing phases of the Marvel Cinematic Universe.
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The third film featuring Thor, Ragnarok, is a lot of fun, made exponentially better by the free-wheeling filmmaker Taika Waititi.
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