Paul Thomas Anderson’s Licorice Pizza is two-thirds of a fantastic movie until it spirals into a dizzying unraveling that makes one wish this was perhaps something that was episodic in nature and therefore more developed.
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David Fincher’s Mank is technically impressive, well-acted, but a rather emotionless and clinical look at the process Herman Mankiewicz endured to write Citizen Kane, and fulfill his obligation to bring Orson Welles’ iconic film from an idea into a biting, game-changing reality.
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